Bicycle Thieves (1948)

Cast

• Lamberto Maggiorani Antonio
• Enzo Staiola Bruno
• Lianella Carell Maria
• Gino Saltamerenda Baiocco
• Vittorio Antonucci Alfredo Catelli, The Thief
• Giulio Chiari The Beggar
• Elena Altieri The Charitable Lady
• Carlo Jachino A Beggar
• Michele Sakara Secretary of the Charity Organization
• Emma Druetti
• Eolo Capritti Carabiniere (uncredited)
• Fausto Guerzoni Amateur Actor (uncredited)
• Giulio Battiferri Citizen Who Protects the Real Thief (uncredited)
• Sergio Leone A Seminary Student (uncredited)
• Mario Meniconi Meniconi, the Street Sweeper (uncredited)
• Checco Rissone Guard in Piazza Vittorio (uncredited)
• Peppino Spadaro Police Officer (uncredited)
• Nando Bruno (uncredited)
• Memmo Carotenuto (uncredited)
• Umberto Spadaro (uncredited)

Crew

Director

Vittorio De Sica

Director of Photography

Carlo Montuori

Editor

Eraldo Da Roma

Novel

Luigi Bartolini

Original Music Composer

Alessandro Cicognini

Producer

Giuseppe Amato

Producer

Vittorio De Sica

Screenplay

Vittorio De Sica

Screenplay

Cesare Zavattini

Screenplay

Suso Cecchi d'Amico

Screenplay

Oreste Biancoli

Screenplay

Adolfo Franci

Screenplay

Gerardo Guerrieri

Screenplay

Gherardo Gherardi

Story

Cesare Zavattini

Details

Budget

$133,000

Revenue

$450,159

IMDb

tt0040522

TMDB

5156

Keywords

• black and white
• italian
• italian neo realism
• madame
• neo realism
• poster
• realism
• riding a bicycle
• rome, italy
• search
• society
• stolen bicycle
• thief
• unemployment

Videos

• Enzo Staiola on BICYCLE THIEVES Featurette
• Suso Cecchi D'Amico on BICYCLES THIEVES Featurette
• Bicycle Thieves (1948) Trailer #1 Trailer

Reviews

James · ★ 7 · 2023-10-22

A heartwarming yet surprisingly bleak masterpiece of hope and despair.

CinemaSerf · ★ 7 · 2022-07-09

In post war Rome, money is very tight for "Antonio" (Lamberto Maggiorani) so when he gets a chance to earn some extra cash, he grabs the opportunity. Snag is, he needs his bike to do the work and someone has just pinched it. Together with his young son "Bruno" (a superb Enzo Staiola) he sets out on the near impossible task of tracking the thing down! What ensues are a series of escapades as the father and son team encounter a range of equally war ravaged citizens - some more helpful than others - on their mini-quest. It's an interesting study on humanity this, centred around something so apparently pedestrian as losing a bike, but the cascading impact of that event on their lives and their relationship as well as with the profound effects on their livelihood and self respect are expertly laid out by De Rica, who draws us gradually into their series of adventures. The simplicity of the story also engenders an opportunity to look at the poverty endured by many sections of the citizenry (those who sit through the mass so they can be rewarded with a bowl of soup rather than worrying about any redemption of their soul, for example). The performance from the young Staiola is excellent. He plays the role of the young boy with considerable natural skill - his character has no real idea of why this bike is so important, nor of why it's loss is causing his father's behaviour to vacillate - but like a loyal puppy, he continues to help out, even saving the day at one stage. The settings in this ancient city add considerably to the sense of despair - ruins (old and new) - and at times they make you wonder of life here has really moved on so much from Roman times. The pace of the film is very well measured, the script is not devoid of a bit humour, even joy, now and again and the momentum builds steadily to a conclusion that is remarkably poignant and that left me with a smile on my face. Question is though, does he find his bike???

barrymost · ★ 7 · 2020-08-06

When in Rome... keep an eye on your bicycle! Or else it might be stolen and you'll find yourself fruitlessly searching the streets of Italy, as the father and son do in this classic Italian film. Lamberto Maggiorani, as the desperate, out of work father, and Enzo Staiola, as his frustrated young son, play off each other nicely and a nice pace keeps things interesting. It's heralded as one of the greatest movies ever made, but personally I don't quite see why. It's a good story none the less, and it kept my attention. There's a very satisfying dose of irony at the end.

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